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070115 aq s10 1In case you need a The X-Files: Season 10 refresher, last time we saw Mulder, he was escaping Gibson’s captivity thanks to CSM’s clone but was caught by poachers when he was trying to hitch a ride. Scully traveled to Cuba, with documents and tickets given to her by another version of CSM. They’re so handy. She’d climbed in a ratty old car to go to the Sierra Maestra area in search for Mulder. Just as she arrives to a settlement, with people in need of a doctor, Gibson is quick to meet her for one surprising and shocking reunion.

This is the last part of a five parter finale that gave us many thrills. This last issue brings us 40 pages of conclusions and new beginnings.

This issue also includes a sneak peek into this year's Annual to be released next month! There we find Mulder and Scully arriving at what's understood as his high school reunion... Scully is wearing a dress, he's in a tuxedo, and for a moment I thought this was the FBI ball. Soon we learn that this is not Mulder's stroll down memory lane, but a scheme to go undercover and investigate a possible X-File. We'll have to wait for next month to see if Mulder and Scully end up dancing tango.

For our recap and review of The X-Files: Season 10 #25, click after the jump.

 

 

 

 

 

Gibson and Scully traverse a thick tropical forest while he tries to appease her fears and explain his objectives. The place is dangerous and riddled with landmines and guerrilla, but this is not a worry to the man since he can manipulate their movements thanks to his psychic abilities. Scully is stoked by the magnitude of his powers.

Gibson walks them into Camp Delta in GITMO where he has equally put everyone in a trance. He explains to Scully that he tried to convince Mulder that this place was the safest place they could be, but he had refused to accept his arguments, being that he’s always had a resistance to assimilate things he doesn’t want to hear.

Gibson claims that hiding in plain sight is the best bet when trying to conceal something effectively these days. Scully is astounded by the man’s capacity to manipulate the large population of detainees and guards as they go through the facility, oblivious to their presence, until Gibson brings them back to life with a snap of his fingers.

According to him, it took some time to get everything set in motion; the secrecy associated with the actual creation of this place facilitated his mission even when he wasn’t ready for it back in the day. He took advantage of the incestuous nature of the deals that the conspiracy, the government, and the alien colonists had gone into to put his own plan to work. The genetic cataloguing that the members of the Syndicate compiled proved to be their own demise, as now Gibson is using this resource to create an army of clones that he has manipulated for his own agenda, using their secrets and spreading his own very particular kind of vengeance.

Gibson tried to sell his intentions to Mulder, that intentional harm wasn’t his goal, but that wasn’t enough for Mulder as we have learned from previous issues. Gibson’s appeals to Scully this time, trying to clarify that their approval is meaningful to him, but she isn’t buying it either and slaps him when he’s distracted in his rant. His emotional manipulation is offensive to her. The disbelief that this could be the sweet young man they once protected. This reaction obviously doesn’t fare well and he uses his psychokinetic powers on her. He only meant to make them proud, he claims, as the structures and pods holding the clones he’s fabricated shake around them as his rage shows, levitating, surrounded by electric sparks in front of a shocked Scully. But he collapses just so briefly, the effort taking a toll on him, and Scully notices. The exertion caused by this display of his powers is something that’s probably a side effect of their use that he still hasn’t fully understood or conquered.

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Meanwhile, Mulder is driven around the Sierra Maestra area by the armed guys that he ran into. They take him to a shanty setup in the middle of the jungle. They’re in the know of the people Gibson has been experimenting with at Guantanamo, they fear those, but they’re also in the know that there’s a price on Mulder’s head. So that protects him from getting shot, but it also puts him back in captivity. Thankfully, he’s thrown into their improvised computer room where Mariel, the bonafide hacker helping them, is instructed to keep him quiet.

Mulder asks her to help him to send a few messages he has stored in a flash drive, but this chick isn’t a pushover, as she threatens him with a flamethrower if he comes any closer to her. So he offers to trade her help in sending these files out for some equipment that might help their cause once he gets back to the US. She accepts, only commenting back on Mulder’s need to take a shower… STAT.

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Up north, more specifically in the depths of Arlington National Cemetery’s catacombs, the Lone Gunmen receive a transmission through their secure port, from Cuba. They deduct that given the authentication sequence, Mulder is trying to send them a file, and fast.

Scully is in a cell after her discussion with Gibson when she’s gets a folder that’s slipped under the door. In it she sees the port schedule from the camp, everything seems normal but a name that stands out: CANTUS. A door opens behind her to a hallway that leads to a room filled with monitors streaming multiple news feeds from all over the world, informing of the ups and downs of global economy, politics, wars, civil unrest, the weapon’s market; you name it. Gibson literally floats while sitting in lotus position in the middle of the room while absorbing all this information as Scully comes in. A guard stops her from going any further, as Gibson looks on while they take her away. She wasn’t supposed to be there, someone has aided her. That someone is yet another CSM clone.

In Arlington, the boys are almost done downloading what Mulder sent over, but they detect an interference in the traffic that makes them nervous, and with reason. Just as they backup the files on a thumb drive, their power goes off. Is it the NSA? Nope, it’s CANTUS, in association with the Department of Justice. But what is this agency? We don’t know yet, only that their hideout is stormed by armed men and the boys rush to pack up and leave.

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On Cuba’s end of this connection, Mariel cusses as their transfer fails since the connection has been interrupted, but the weird part is that they’re still somewhat connected. This is not your usual bandwidth fluke. Mulder laments, but this is about to get worse when Mariel starts acting strangely and grabs the flamethrower again, claiming that she can’t control her actions. Then it makes sense, the connection was hijacked, and Gibson is peeking in. He speaks through her, yet another power we learn that Gibson has acquired. He claims that now Mulder will be safe when his own crew comes to get him. But it’s Mariel’s crew that comes in after hearing the ruckus, and despite her own efforts to explain that it was not her intention to stand threatening to them, the captors shoot at them, carelessly and dangerously, given that the tank of the flamethrower could get hit.

Meanwhile, Gibson and Scully approach the site in a humvee caravan. He’s still channeling through Mariel, announcing that he’s brought someone to see him, when they witness a huge explosion.

In Washington, Skinner returns to the FBI looking quite unkept, as you may remember, he had been kept captive as well. He finds AD Morales going through his office, well… more like packing it up. She claims that she’s been trying to contact him, but he cuts her off, demanding to know who put her up to the situation at hand. She seems startled but he elaborates on his accusations: he’s received intel that points to a plot to infiltrate the FBI and undermine Mulder’s work. AD Morales is barely listening, dismissing his arguments claiming that the investigation on the X-Files is coming from places higher up, directly from the Attorney General, and that Mulder will have to respond to it once he’s found.

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Skinner doesn’t understand where Mulder and Scully have gone, and Morales confirms that the AG is asking the same question, showing him one of CANTUS’ notices. They’re outsourcing the X-Files division, for profit, streamlined by outside agencies, as Morales puts it. So this is what CANTUS has become. She won’t explain anymore, he’d have to take it up to the Department of Justice, and they’ve also sent his dismissal in the form of a tacky gold wristwatch.

In Cuba, Scully screams for Mulder in the midst of the fires around the captor’s camp. Mulder approaches her and whispers not to move, and to be careful so that Gibson doesn’t find them. Mulder argues that Gibson is too far down the rabbit hole, sick, and the kind of help he needs, they can’t give. Scully informs him that there’s a naval vessel under CANTUS’ control. He’s going to move the clones to the mainland and with it possibly bring the US navy and Cuban forces into turmoil. Mulder wants to escape before it all goes to hell, but Scully wants to help Gibson or... stop him. Mulder won’t accept this, but he promises to wait for her, advising her to slip off while he distracts with his own business, but she won’t make a simple decision… And so we slip into a sort of epic, old school, Scully monologue.

Scully’s main objective coming to Cuba was to search for Mulder, to clear him from false allegations, but what she found was worse than she had foreseen, imprisoned by an ally, betrayed by someone they’d thought was their friend. She follows along, playing to Gibson’s tune as he prepares to board their boat.

Gibson believes that Mulder will be the object of a manhunt, even after he’s cleared of the accusations, but that he could help. He’s trying to protect him, if he only had Scully’s help. But right now, Gibson is the one doing the hunting. What else should they be worried about? And there’s plenty, starting with the consequences of the experiments the Syndicate once started on Gibson. He has continued them; the Syndicate only managed to know that they couldn’t grasp what he was. So Gibson continued and it’s gotten out of hand, so much he’s wishing his own death, wishing they’d killed him back then when the Syndicate experimented on him. Mulder and Scully wouldn’t have allowed that when he was just a child. Adult Gibson wants to make things right he claims when the boat approaches the harbor.

Scully monologue continues; Mulder’s present situation had stemmed from an accusation, a need to discredit his work, exposing “his actions against people and plans that could never beat him directly…” but also preventing him from continuing his fight. Meeting Gibson again, they’ve discovered that he has become a threat by embracing his power in a destructive way, because of the actions taken by the people that once hunted him. Scully can’t help him, but also can’t stay with him, she confesses as she pulls a gun.

Meanwhile, inside GITMO, the same CSM clone admires one of his copies. In New York, the First Elder addresses a room full of his counterparts. This is his final address; their secrets have been stolen, they weren’t ready for this world. He wants to thank them for all the sacrifices made, it’s an honor to live and die with them once more… Thousands of miles away, the CSM clone hits a self destruct button.

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Scully points the gun at Gibson’s back. He claims that once he can continue his work in the US, things will become clear, but she can’t allow that. He doesn’t think she’ll have the guts, but she does… and shoots him in the head. But this is not over, quickly… everything turns for the worse. The approaching vessel calls to abandon ship, an emergency has broken out inside. The pods holding all the clones explode in CSM’s wake. Treachery based on good intentions… as Gibson throws some last accusations at Scully before dissolving in a puddle, “Some people try to be good people, but some people just don’t care… like you.” This seems utterly heartbreaking, considering how much she loved this boy.

070115 aq s10 7Hours later, she meets with Mulder as he sets out to escape with a very sketchy element. She’s reeling from what just happened. What she just did. Mulder coaxes her to explain, to confide in him. She wants to go back to the FBI and set the record straight, for the both of them. He has to run, he’s probably been charged by now, so she’s going to work to clear his name and they’ll reunite later. The guy waiting for them is getting impatient. Scully starts to tell Mulder what she’s done, but she’s hesitant, and he kisses her. What she’s done she hopes to defend in front of a review hearing or on a report, to try and find the logic behind it. To tell Gibson’s heartbreaking and tortured story. The story of their friend that turned into a monster. The friend that she killed.

Mulder leaves, leaving a haunted Scully behind by the beach. A man calls out from one of the bar stands nearby, offering a drink, a Cuba Libre, and why not? She might as well have the alcohol. This drink is sometimes called “a little lie,” he says, just like the one that has happened before her eyes. Scully won’t be taking her story to any review board, as in front of her she finds Gibson Praise, again. Before her, behind her, all around her. His clones surround her. They’re getting ready to cross over to the US, and eventually catch up with their hunt for Mulder and turn his will into their fight. Scully may have to reserve the telling of her story for her memory, if she’s capable of keeping it.

Review

I have to admit that I had been bothered a bit by Scully’s previous behavior, but this issue was spot on how I would expect Scully to confront this situation. The guilt and feeling responsible for what has happened to Gibson is one of the things I found most heartbreaking, because in some sense, without even putting it in so many words, she’s holding herself accountable for leaving a son behind. Gibson might not have been her flesh and blood, but he was a defenseless child once, one that confided in them, one that trusted them, one that believed in their abilities to fight for and with him. But that wasn’t the case at the end. He was left behind to fend for himself without guidance… and aren’t these fears that a mother may have? That it is her job to set this situation straight? Is Scully harboring this feelings towards William as well? That she’s not there to prevent her own flesh and blood from turning into a monster like Gibson Praise has? Is this something that Chris Carter will let Joe Harris play with?

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This issue is mostly told from Scully’s POV, and I have to say, I could complain but I won’t, because I really love this take. I do wish though that we could have a bit more of insight into what Mulder’s fears are in regards to Scully taking this huge leap and risking her life staying behind.

I almost want to kick myself for not anticipating that Gibson could clone himself. It raises a couple of questions for me in terms of how this logic operates… if there are a dozen of him, is there a leader that commands their wills? Or are we going to have to deal with many of these strong willed, psychokinetic clones pushing for their own agendas? Will the real Gibson Praise please stand up?

In any case, the stakes are significantly raised with Skinner probably being out of the FBI, a hunt for Mulder, Scully being held by an army of mind-controlling marvel men… What will be of the conspiracy now that the Elders are gone? How will Gibson’s plan adapt now that they’re supposedly destroyed? What does this mean for the everyday man? What does this mean for the lone gunmen?

When will Scully and Mulder see each other again?

I’m curious as to how Harris will tackle a dynamic in the coming issues where Mulder & Scully may not be together. This is what makes them great most of the time, whether they’re on good terms or not, it’s the banter, the theorizing, the partnership that completes these characters even when they’re so great on their own.

This is a road that started in 2013 and I feel like the ride has been great, entertaining, very smart at times, nostalgic at others, but always treated with an enthusiasm that I truly appreciate from Joe Harris. The vast knowledge that has to be put into the creation of these stories didn’t stop at knowing these characters, with how complicated and nitpicking X-Philes can be, but he also went into the detail of bringing these characters into the present times.

The X-Files: Season 10 may not be part of the X-Files Revival, but in one way or another it helped bridge the gap for characters that we didn’t see live through wars in the desert, Obama and Fox News, that we didn’t see in a world where Al-Qaeda and ISIS are a threat. Mulder and Scully lived in a world pre-Tumblr and Facebook, and while Joe didn’t throw Scully into a hashtag binge on Twitter, he certainly pushed them forward to live our day-to-day. Harris can really write interesting politics and intrigue, and this was one of my favorite parts of this monthly appointment.

For next season, I’d love to continue exploring original cases while Mulder and Scully mix it up with players that haven't been used that much, like Doggett, Reyes and Skinner. What I loved the most about these last five issues is that we evolved from the old, and I love the old, but I love the unknown even more... And there’s just so much more to talk about when it comes to the sci-fi that always accompanies The X-Files. I want TXF:S11 to push the envelope and I hope that Chris Carter has allowed them to develop brand new monsters. I want to know see more spooks that are Joe Harris’ originals.

With The X-Files returning to Television and The X-Files: Season 11 co-existing in similar times, I’m curious what will be the take of the people behind this, though I anticipate we’re going to have to learn to live with the co-existing realities. It could have been a great opportunity to have taken advantage of something that has been developing for so long, very much like the Animatrix shorts did back in the day for the Matrix franchise. The possibilities would have been endless.

The editor of this series took the time in this last issue to thank everyone for the ride and I want to second that motion, but also including him. To the whole team behind this production, from Denton Tipton being the fearless editor behind it and always an enthusiast supporter of all the X-Philes, to the many artists behind the story: Francesco Francavilla, Matthew Dow Smith, menton3, Nick Percival, Michael Walsh, Joe Corroney, Charles Paul Wilson III, Elena Casagrande, Greg Scott, Mark McHaley, Colin Lorimer, Tom Mandrake and Carlos Valenzuela, bringing us great covers and fantastic art, congratulations for all the hard work, the great intentions, and equally awesome successes. The chance to see these characters once again is priceless. Jordie Bellaire has made this universe something palpable, when it could have stayed simple and standard, she gifted us consistency, artistry, mystery and imagery with her talents.

To Joe Harris, thank you for being brave and throwing yourself into the daring but rewarding challenge of creating new and great content for one of the most incredible fandoms. I hope that this road has proved itself to be quite enriching.

To IDW Publishing in general for welcoming XFN in such great ways.

To Chris Carter, thank you for letting them live on paper, and thank you for pushing for them to live on the screen.

Thank you for giving us the opportunity to be part of this experience. We’re ready for more.